Backstage Paris with Enrique Mazzola
Directeur musical et Chef principal de l’Orchestre national d’Île-de-France
Enrique Mazzola is musical director and conductor of the Orchestre National d'Ile-de-France since September 2012. This is one of the most dynamic artists of his generation.
A propos de Enrique Mazzola
During the 2013/2014 season, and the head of the Orchestre National d'Ile-de-France, Enrique Mazzola runs two programs in the Festival in Bucharest, several concerts at the Salle Pleyel, La Scala di Seta by Rossini at the Théâtre des Champs-Élysées and concerts at the Festival of Saint-Denis and the Festival de La Chaise-Dieu.
Furthermore, Enrique Mazzola made his debut with the Prague Philharmonia, the Vienna Symphony Orchestra at the Musikverein, the Northern Sinfonia, is invited back by the Scottish Chamber Orchestra and the New Japan Philharmonic.
Next opera, Enrique Mazzola recently directed The Barber of Seville and The Flying Dutchman at the Deutsche Oper Berlin, a new production of La Sonnambula at the Bolshoi Theatre in Moscow, Don Pasquale at Glyndebourne, a new production of La Cenerentola at Opera of the Rhine and a new production of Tancredi at the Théâtre des Champs-Élysées with the Philharmonic Orchestra of Radio France.
In the coming seasons, Enrique Mazzola debut at the Zurich Opera, the Opera of Chicago, the Metropolitan Opera in New York, Orange Choregies and find, among others, Deutsche Oper Berlin, the London Philharmonic, the Brussels Philharmonic and the Glyndebourne Festival.
Enrique Mazzola was the guest of the London Philharmonic, the Orchestra of the Age of Enlightenment, the Royal Scottish National Orchestra, the Philharmonic Nuremberg, the Swedish Radio Orchestra, the Oslo Philharmonic Orchestras and Brussels, New Japan Philharmonic, the Taipei Symphony Orchestra, and directed L'Italiana in Algeri at the Teatro del Maggio Musicale Fiorentino, Don Giovanni at the National Theatre in Tokyo, Macbeth at the Opéra du Rhin, Don Pasquale at the Théâtre des Champs Elysées with the Orchestre National de France, Il Barbiere di Siviglia and Falstaff at the Deutsche Oper Berlin, Don Pasquale at La Scala in Milan, La Cenerentola and L'Elisir d'amore at Glyndebourne.
The major European festivals such Aix -en- Provence ( new production of Falstaff ) , München Opernfestspiele , Radio France and Montpellier , Rossini Opera Festival, Venice Biennale , Dvorak Prague Festival have invited Enrique Mazzola to conduct there .
From 1999 to 2003 , Enrique Mazzola was artistic and musical director of the Cantiere Internazionale d' Arte in Montepulciano in Italy , where he conducted numerous symphonic concerts and new opera productions with the orchestra of the Royal Northern College of Music Manchester.
Accomplished performer of contemporary music, Enrique Mazzola strives to make known composers and music today . Creations and times are very regular programs of his concerts , especially with the Orchestre National d'Ile -de- France . Enrique Mazzola conducted the world premieres of Il processo Alberto Colla at La Scala in Milan, Il re nudo Luca Lombardi at the Opera of Rome, Medusa Arnaldo De Felice to BayerischeStaatsoper , Azio Corghi Isabella in Rossini Opera Festival and many other creations in Europe.
He studied with Frederick and Gerard Aguessy Frémy at the Paris Conservatory where he received a first prize in 1992 at the age of seventeen. He then won several major international competitions (Bremen, Dublin, Tel Aviv, Geneva, Milan), before winning the first prizes and five special at the prestigious Marguerite Long Competition price - Jacques Thibaud in 1998.
International career Cédric Tiberghien has flourished in recent years on stage as prestigious as the Kennedy Center in Washington, Boston Symphony Hall, Carnegie Hall in New York, the Musikverein in Vienna, the Salle Pleyel and Theatre Champs-Elysées in Paris, the Royal Albert Hall, Wigmore Hall, the Barbican Hall in London, the Bechstein Hall in Berlin, the Mozarteum in Salzburg, Sydney Opera House, the Bunka Kaikan and Asahi Hall in Tokyo.
With more than sixty concertos in his repertoire, Cédric Tiberghien was the guest of orchestras such as the Washington Symphony, Tonhalle Zürich, the Orchestre de la Suisse Romande, the Budapest Festival Orchestra, the Czech Philharmonic, the Hallé Orchestra, the Philharmonic Orchestra of Radio France, Orchestre de Paris, the Stuttgart State Orchestra, the Dresden Philharmonic, the Orchestra Gelders, New Japan and the Tokyo Philharmonic, the Sydney Symphony Orchestra.
The artist has recently made his debut with the Boston Symphony Orchestra, the Rotterdam Philharmonic (under the direction of Yannick Nézet-Séguin), the symphony orchestras of Seattle (Ludovic Morlot), Cincinnati (Louis Langrée), Sao Paulo (Marin Alsop), the Brussels Philharmonic (Tadaaki Otaka), the City of Birmingham Symphony (Edward Gardner) and re-invited by the Hong Kong Sinfonietta, the West Australian Symphony, the philharmonic Seoul and Strasbourg.
During the 2013 /2014 season , Cédric Tiberghien is the soloist with the Cleveland Orchestra ( Giancarlo Guerrero ), the National Orchestra of Belgium ( Eivind Aadland ) , the Symphony Orchestras ( Jeffrey Tate ) and Philharmonic ( Simone Young) of Hamburg, Orchestre National de France , Nice Philharmonic Orchestra , the Orchestra of the Pays de Savoie , the Orchestre de Bretagne and continues the complete cycle of Beethoven concertos engaged with the Orchestre National d'Ile -de- France . In recital, he was the guest of the prestigious series " Master Series " Wigmore Hall in London (invited for the next three seasons , Mozart and Bartok programs ), " International Piano Series " to always Elizabeth Hall in London, " Celebrity Series " in Boston and Bunka Kaikan in Tokyo and " Piano in Lyon ."
Cédric Tiberghien is also an enthusiastic chamber musician, counting among its partners Alina Ibragimova violinist , soprano Sophie Karthäuser cellist Pieter Wispelwey and . Her passion for chamber music is illustrated by several records: Ravel / Lekeu ( Hyperion ) disk , sonatas for violin and piano by Szymanowski ( Hyperion ) and the complete sonatas for violin and piano with Alina Ibragimova .
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